Showing posts with label music. Show all posts

The Big Sleep: REM Breaks Up


REM's announcement last week that they were retiring/breaking up brought forth a lot of snarky "they were still around"/"shoulda broken up years ago" type commentary. Which is fine, maybe even true. Looking back, their days of vital music making ended when Bill Berry left the band, and they'd already begun to fall off even then. Still, this is a band with a real legacy that is well worth looking at.

1.) Murmur: REM began their career with what was basically a folk-rock album that got all sorts of "four stars in Rolling Stone" reviews. Mostly a quiet, hushed atmosphere prevails. Even the rock tracks like "Shaking Through" have a feathery feel.

The Hit: "Radio Free Europe"

Deep Tracks: "Catapult" "Shaking Through"

2.) Reckoning: a rousing rock record with the "jangly" sound we all think of when we think of early REM. This has some of Peter Buck's best riffs. I've probably listened to this more than any other REM album.

The Hits: "So. Central Rain" "Don't Go Back To Rockville"

Deep Tracks: "Seven Chinese Brothers" "Harborcoat" "Pretty Persuasion"

3.) Fables Of The Reconstruction: the last of their jangly college rock records. Begins with the brilliantly odd "Feeling Gravity's Pull" followed by folk-rock songs that are more folk than rock. "Driver 8" was the hit, and provided the basic chord changes for a ton of REM songs.

The Hits: "Driver 8" "Can't Get There From Here"

Deep Tracks: "Feeling Gravity's Pull" "Green Grow The Rushes"

4.) Life's Rich Pageant: a real rock record (recorded by John Cougar's producer) with distorted guitars, rousing anthems, and gorgeous ballads. One of REM's great ones, even the dopey songs about the environment are good. This is the album that really launched them into the mainstream.

The Hits: "Fall On Me" "Superman"

Deep Tracks: "I Believe" "Swan Swan H"

5.) Document: Kind of mediocre, but the hits were definitive REM songs, so everything worked out OK. Had to love how they recorded a Wire song, thus ensuring that the members of one REM's foundation bands could enjoy a comfortable retirement. Side 2 showed that REM was as capable of making forgettable filler as any LA glam metal band.

The Hits: "It's The End Of The World As We Know It" "The One I Love"

Deep Tracks: "Finest Work Song" "Strange"

6.) Green: another "big" rock record. Buck's guitar sound on this album is almost perfect. A lot of old REM fans threw their hands up in disgust when they heard "Stand," and became even more disgusted when it became one of those hit songs you literally couldn't escape from. Some of the songs on here were in heavy rotation on the world's alternative radio stations for years.

The Hits: "Stand" "Orange Crush" "Pop Song 89"

Deep Tracks: "World Leader Pretend"

7.) Out Of Time: A great album hearkening back to the folky Murmur and Fables, only this time REM was a world-famous, wealthy band with limitless time and resources. They use their opportunity well, as this is one of those rare records that is both timeless and very much of its moment. Most days I think "Losing My Religion" is the definitive REM song.

The Hits: "Shiny Happy People" "Losing My Religion"

Deep Tracks: the whole album is one deep track after another, but special mention should go to the impassioned "Half A World Away" and the two songs that Mills sings ("Texarkana" and "Near Wild Heaven")

8.) Automatic For The People: REM recorded a lot of great albums, but this it probably their best, which is remarkable when you realize they'd been making music for over a decade at this point. A grateful nation agreed, making this a mega-seller on par with Back In Black and Joshua Tree. Quite an achievement for what is an atmospheric, moody album dominated by piano and acoustic guitars with string arrangements by John Paul Freakin' Jones.

The Hits: "Drive" "Everybody Hurts" "Man On The Moon"

Deep Tracks: again, every track is a deep track, so I will simply point you to "The Sidewinder Sleeps Tonight," which is usually one of my favorite songs ever.

9.) Monster: the fall off begins. This isn't a bad album. It's a return to their rocking side and certainly better than, say, Document. But, the guitars were monochromatic, the art work uninspired, and the filler was just filler. I've had trouble developing a "personal" relationship with this album.

The Hits: "What's The Frequency, Kenneth?" "Crush With Eyeliner" "Bang and Blame" "Star 69"

Deep Tracks: I don't know, "King Of Comedy?"

10.) New Adventures In Hi-Fi: ugh. whenever a band announces they are releasing an album made up of tracks they either wrote and recorded during soundchecks, or left off their not-very-good previous album, you know you're not going to be getting Abbey Road. Still, it's shocking how literally unlistenable this is. REM had always excelled at making murky, atmospheric music, but this time the murk was just murk. Incredibly, this got rave reviews, but the People knew better. So, did Bill Berry. He quit the band soon after. You can mark this as the end of REM's creative road, but that didn't mean they didn't stop making music.

The Hits: "E-bow The Letter" "Bittersweet Me"

Deep Tracks: gotta go real deep. "How The West Was Won And Where It Got Us," maybe?

11.) Up: electronica was being hyped up the wazoo at the time, so REM "went electro" using synths and drum machines in place of guitars and drums over most of this album's tracks. Yes, this was the dreaded "we're taking our sound to new places" record. Not as bad as you would think. Actually, it's quite good, but it's the sort of thing that ends up on people's lists of "underrated" and "overlooked" albums. Also, it wasn't really REM, and it pretty much killed their career as platinum-sellers.

The Hits: are you kidding?

Deep Tracks: "Daysleeper" "Lotus" "The Apologist"

12.) Reveal: kind of a return to form, only without memorable songs. This album sounds great with reverb-drenched, jangly guitars and string arrangements. But, there's only a couple of songs that stick with you. Mostly, it's in one ear, out the other. "Imitation Of Life" brings back the "Driver 8" chords for one last go around, and they still work.

The Hits: "Imitation Of Life"

Deep Tracks: "All The Way To Reno"

I know REM put out more albums after Reveal, but for me this was the end. I never bought an REM album after this, so I can't really give those a fair appraisal.




One Last Wish



I would engage the world as my ally.


Sowell's Law: Using Politics To Predict Your Preferences



Thomas Sowell's insight in the conflict of visions between the constrained and unconstrained ways of looking at the world is one of the best means available to understand the liberal/conservative divide in American politics. Not only that, it's quick way to predict choices and preferences that people make in their daily lives.


For example, before last week, it would have never occurred to me to wonder about the political affiliations of the CEO's of America's leading guitar manufacturers. But now that I know, is it any surprise as to what my choice of guitar has been for the last 8+ years?


As with conservatism, Gibson guitars are something you work up to. Like many guitarists, I started out playing a no-name Korean brand, then moved on to some cheap Squires, then to a "Made In Mexico" Fender (a Tele, if you must know). After 20 years of semi-serious playing, I picked up a Gibson SG and realized, my God, now I'm playing a guitar. There's just something in the thickness of the neck and the perfectly balanced weight of the body that makes you feel like you're playing something that a human being labored over. I know that the Stratocaster is the "sexy" rock guitar, but Gibsons are what everyone uses when they want to get serious.


As for twee little Martin, and its progressive CEO, well you're talking about the Martha's Vineyard of guitars: expensive, exclusive, and mostly used by Peter Paul & Mary types who want to sing about whales. Never liked Martins much (frankly, I don't care about acoustic guitars as much as I do electrics), but Gibson acoustics are much more beautiful, and user friendly.


Just don't ask me about my favorite brand of drums.




Jail Guitar Doors: The Feds Raid The Gibson Factory



If you're looking for a fitting symbol for the heavy hand of government in the age of progressive politics, you can't do better than the US Dept. of Fish & Wildlife's raid of the Gibson guitar factory.

Federal agents swooped in on Gibson Guitar Wednesday, raiding factories and offices in Memphis and Nashville, seizing several pallets of wood, electronic files and guitars. The Feds are keeping mum, but in a statement yesterday Gibson's chairman and CEO, Henry Juszkiewicz, defended his company's manufacturing policies, accusing the Justice Department of bullying the company. "The wood the government seized Wednesday is from a Forest Stewardship Council certified supplier," he said, suggesting the Feds are using the aggressive enforcement of overly broad laws to make the company cry uncle.

It isn't the first time that agents of the Fish and Wildlife Service have come knocking at the storied maker of such iconic instruments as the Les Paul electric guitar, the J-160E acoustic-electric John Lennon played, and essential jazz-boxes such as Charlie Christian's ES-150. In 2009 the Feds seized several guitars and pallets of wood from a Gibson factory, and both sides have been wrangling over the goods in a case with the delightful name "United States of America v. Ebony Wood in Various Forms."

The question in the first raid seemed to be whether Gibson had been buying illegally harvested hardwoods from protected forests, such as the Madagascar ebony that makes for such lovely fretboards. And if Gibson did knowingly import illegally harvested ebony from Madagascar, that wouldn't be a negligible offense. Peter Lowry, ebony and rosewood expert at the Missouri Botanical Garden, calls the Madagascar wood trade the "equivalent of Africa's blood diamonds." But with the new raid, the government seems to be questioning whether some wood sourced from India met every regulatory jot and tittle.

The gag is that the feds aren't enforcing US law - well, technically they are - what they are doing is enforcing a US law requiring the feds to enforce Indian and Madagascan law about importing certain types of protected wood species. But, those countries don't seem to be enforcing their own laws, but are exporting the wood. And you have to love the idea of Madagascar's "blood wood." I like to follow the news from Madagascar (check my "Madagascar" tag), and I have never heard of this concept.


We heard a lot about the dark night of fascism descending on the US during the Bush years. But, I'll tell you this: you would never have a raid like this under a Republican administration. US Greens idled hundreds of highly skilled workers, gave a venerable US manufacturer reason to consider moving overseas, and did so even though Gibson has already gone out of its way to make sure it is complying with America's onerous envvironmental regulations, which we are assured don't affect the economy at all (oh, heavens No!) and certainly don't cause the loss of the sort of skilled manufacturing jobs that liberals claim to to be so concerned about.


Oh, and Gibson CEO Henry Jusckiewicz apparently donates to conservative causes and operates out of a right to work state. There are a lot of US based guitar shops, but only this one (and non-union Peavey) have been targeted by the feds. Imagine that.


Also, musicians are worried that their guitars will be seized by customs inspectors if they can't prove they were manufactured with the correct wood. That's life under our cool, progressive president.


Gibson Guitars, and the musicians who use its products, are not criminals. But they are being treated as such and are threatened with more; all in the name of a bogus environmental ideology that restricts freedom in increasingly absurd ways.


DOA



Really well done footage from way back in the day of DOA live in San Francisco.




This is the classic line-up of Joey Shithead, Chuck Biscuits, Randy Rampage, and ... Dave Gregg. Obviously they ran out of punk rock stage names before they got to Dave.




Crocodile Skink Wargame



Be honest, don't you at least want to hear what a band called "Crocodile Skink Wargame" sounds like?





Wow, sounds like ... some kind of crocodile skink wargame. Truth in advertising!






Flirtin' With Disaster


Here's something you don't see everyday: a serious critical appraisal of a Molly Hatchet song.
There are few groups in history that have as immediately recognizable a musical sound as one finds in the music of Molly Hatchet, as while most other bands were content with one or two guitarists, "The Hatchet" preferred a triple-guitar assault. The team of Dave Hlubek, Steve Holland, and Duane Rolland establish a far more imposing, yet not overly aggressive sound on "Flirtin' With Disaster," and it is this unique contrast in sound that largely defines the bands' sound. It also enables Molly Hatchet to produce some of the most amazing solos and guitar progressions ever recorded, and yet at the same time, "Flirtin' With Disaster" is as straightforward a rock song as one can find anywhere. The guitars have the ideal amount of "twang" that stays true to their Southern roots, and yet it is the edge and slight aggression they bring that sets the band far apart from any other group using the term "Southern rock." Bassist Banner Thomas is equally impressive, as it is his playing that gives "Flirtin' With Disaster" its amazing amount of movement, as he gives the song a swing and a sway that make it impossible not to groove along with the music. This is complimented by drummer Bruce Crump, and his steady, slightly speedy pace serves as the ideal finishing touches to one of the finest musical arrangements in all of music history. The band deploys amazing periods of tension and release, and it is these "waves" of music that vault "Flirtin' With Disaster" to such an iconic status.
You can find that and more at the Daily Guru, a blog dedicated to identifying (and justifying) the best songs ever. Lots of good taste on display there.


A Busy Saturday


Saturday is normally a quiet news day, but not today.

1. Did anyone actually go to the White House at 11 AM like the president ordered? Supposedly the Senate and House were negotiating a short-term deal, but that seems to have fallen apart as well.

A correspondent of Instapundit's offers this sobering thought: what if Obama and the Democrats are flirting with a market panic because they don't realize that the US is really out of $$ to fund all of their brilliant ideas?
What has me worried is the idea that the Democrats ACTUALLY DON’T UNDERSTAND THIS IS THE END OF THE ROAD. What if they actually aren’t capable of recognizing when they’ve lost? Or when we’ve run out of other people’s money? None of these people work for a living. Their concept of where money comes from and how wealth is created (and destroyed) is completely divorced from reality because they live in a government bubble. And the very small minority among them that do understand this from previous jobs and experience are okay with Progressive policies aimed at leveling/equalizing/delivering-economic-justice because they just assume that the economy can handle some siphoning. And usually it can. But not at this volume or for this time scale.
Monday should be fun.

2. Norway looks like it has been the victim of right-wing terrorism of the sort the left has been dreaming about for years. I don't think you can get away with saying Anders Breivik was crazy. The amount of planning that went into this event, and the length of time he spent carrying out his plans, belies any claim of craziness. He was simply evil incarnate. I mean, what kind of person deliberately targets children, shooting them point-blank while they beg for their lives?

A grim thought: I have no doubt that Breivik is an outlier, and that the right-wing in Norway is no more prone to violence than anyone else. But, it had to have crossed his mind that violence was the only way he could get his message out, given the appeasement offered in the face of jihadi violence.

Regardless of ideology, it's incredible the amount of destruction that one man was able to wreak in such a short time. It's also incredible how long his rampage at the youth camp was able to last. No one there seems to have had a gun or a means of quickly communicating with the police, something that is very hard to imagine in the United States.

btw, the Wall Street Journal is reporting that Norwegian police have labeled Berwik's crimes to be acts of terrorism punishable by up to 21 years in prison. Gotta love enlightened Europe's approach to crime.

3. Cong. David Wu (D-Oregon) has been accused of making an inappropriate sexual advance towards - or having a sexual relationship of some sorts with - the barely-legal daughter of one of his donors. You may recall Wu's election campaign, which was suspended by his own staff the week before the election because of concerns about his mental health. Naturally, the very sophisticated voters in Wu's district returned him to office.

Althouse offers a dissent from right-wing crowing over yet another creepy lefty sex scandal.
At this point, we hear about "erratic" behavior that doesn't ostensibly involve sex. What exactly are the "new questions"? This is a cheap and ridiculous article in my view. A woman who is unhappy with her sexual relationship with Wu has called his office but has not called the police, and now we're supposed to review everything else we know about him in some new context? Is this the way we are to do politics in America now?

Note that the woman who has brought this chaos into Wu's career is shielded by the newspaper's policy not to "use the names of victims of sexual assault without their permission." That's convenient. I think if you are going to have a policy like that, you should not report at all unless the alleged victim has reported a crime to the police. It's not fair.
I was at a San Francisco French bistro a couple weeks ago. The place has racks of European and French magazines, one of which had a big cover story about the aftermath of the DSK rape case. They had published several pictures of the accuser, as well as her name, (which I don't remember), of course. And it made sense. It was, after all, a part of the story. The practice of maintaining the anonymity of rape accusers makes less and less sense.

4. China's high speed rail, which the American left from Obama to Thomas Friedman to Arnold Schwarzenegger has been touting as the wave of the future, has gone from triumph to triumph. First the trains were slowed down to "normal" speeds. Now there has been a spectacular accident, triggered by a lightning strike (wah?), leading to the deaths of 32 people.

At least 32 people died when a high-speed train smashed into a stalled train in China's eastern Zhejiang province Saturday, state media said, raising new questions about the safety of the fast-growing rail network.

The accident occurred on a bridge near the city of Wenzhou after the first train lost power due to a lightning strike and a bullet train following behind crashed into it, state television said.

The total power failure rendered useless an electronic safety system designed to warn following trains of stalled trains on the tracks up ahead, and automatically halt them before a collision can occur, the report added.

It showed one or possibly two carriages on the ground under the bridge, with another hanging above it. Several other carriages derailed in the accident near Wenzhou, some 860 miles south of Beijing.

More than 200 people have been taken to hospital, the official Xinhua news agency added.

One train was heading from Beijing to the coastal city of Fuzhou, the other was running from Zhejiang provincial capital Hangzhou, also to Fuzhou.

"The train suddenly shook violently, casting luggage all around," Xinhua quoted survivor Liu Hongtao as saying.

"Passengers cried for help but no crew responded."

In a command economy, you can command something to be done, but you can't command it to work.

5. Amy Winehouse has, not surprisingly, died. It's not just that she was well known for being a heavy drug user. Her entire image, and career, was defined by drug use. The expectation was that she would die. Perhaps there were performance incentives in her contract with a big pay-out to her heirs.

One thing I've never understood about pop stars and drug use. Why is it that the people making money off of them - i.e. their managers and the suits at the record label - don't make more of an effort to protect their investment from destruction? Winehouse's big breakthrough was in 2006, and since then she's been little more than a tabloid feature more than a singer. Did the A&R people at her label realize that, maybe she should have been making music instead of headlines? Keith Richards never let drug use or police raids stop his music making, after all.

Britney Spears, of all people, is the exception to this depressing rule. When she was on the road to oblivion, the suits and her family stepped in to

Along those lines, I remember an interview where Clive Davis lamented the early death of Janis Joplin, and said he regretted not stepping in when he saw that she had a serious drinking problem. Got that right. Can you imagine how much more music (and money) Davis would have gotten out of her if she'd just stayed alive?



Catch Me



Will the world supply of obscure first-wave punk singles ever run dry?

Yesterday & Today: The LP Comes Back (Again)


Forbes takes a look at an unexpected phenomenon in the music biz. While gadflies have perpetually declared vinyl LP's to be on the verge of a come-back, last year actually did see a significant increase of LP sales, with many indie music stores receiving a significant amount of income from yesterday's sound system.

Much has been made of the decline of recorded music, and indeed, much has declined. According to Nielsen SoundScan, total album sales dipped from 373.9 million to 326.2 million last year, a drop of 12.7%. The 2010 sum is less than half the 2004 total of 666.7 million. But vinyl sales rose a healthy 14% — the third straight year of gains for the format — and this year’s 2.8 million total was the highest in the post-1991 SoundScan era.

“Vinyl will always be there,” says David Shebiro, owner of Rebel Rebel Records in Manhattan’s West Village. “It’s the way artists intend music to be.”

Shebiro has sold both LPs and CDs since opening the store in 1988. In the early days, LPs made up 90% of his sales. By 1998, the ratio had flipped, with CDs accounting for 90%. Today, he reckons, 60% of his sales are of the vinyl variety. He believes the main reason behind vinyl’s comeback is a desire to re-conjure the magic of buying music lost in the era of immediate gratification offered by Apple and Amazon.

“There used to be this anticipation when you bought a record,” he says. “You’d take it back with you on the subway and rip open the packaging, and you couldn’t wait to get home and play it. That magic of anticipation has gone with downloading, and that’s what people want to regain.”

I had actually noticed an increase in vinyl-only releases starting last year. I guess there's some kind of purist impulse at work, but I think there's an economic angle, too, one that Forbes didn't look too closely at. Where, five years ago every band and its dog was putting out a CD (even Psota put out an album), now you're much more likely to see an indie band with a 45, or an EP as their first release. Simply put, it's cheaper to record three really good songs, rather than try to fill up an album with material. In the Little Depression music scene, the "less is more" arises as much out of limited budgets, as out of aesthetics.

Incredibly, there are a lot of bands that put out cassettes. One of the music blogs I follow is Terminal Escape, which is dedicated entirely to tapes, and which never runs out of material to post on. Now, these are mostly DIY-style punk bands, so there's no doubt some crabby Luddite anti-corporatism at work, but still, it's been surprising to hear some of the best new music of the year on a cassette-only release.

The proponents of LP's are still pushing the "vinyl sounds better" line, about which I am agnostic. I'll agree that a lot of early CD reissues were poorly done, but the only album I regretted disposing of in favor of a disc was Blonde On Blonde, which really did sound better on vinyl. Even if LPs do sound better, you need some damn good equipment to bring out the best from the format. Forbes helpfully includes a list of the best current record players, which range up to $150,000. Not exactly the People's Choice. Not so with CD's where near-audiophile sound quality is available at a budget price. Music snobs are advised to give it a rest.


Moving Day


Phase One of the move from San Francisco to Burlingame is complete. Still have a couple phases to go. In the mean time, here's some Def Leppard to tide you over. Like any respectable person, I think Pyromania was the band's masterpiece (it's flawless). But, here's a track from their Hysteria sessions:


I heard this on the radio for the first time in, oh, about 25 years. Really holds up well. It's almost like adult-contemporary heavy metal. I always love how the band complained about all the time they had to spend in the studio due to "Mutt" Lange's "the 100th take is the best" philosophy. Oh, I'm sorry. Did you have something else you were supposed to be doing? Anyway, all those hours in the studio in 1986 left you with a handful of tracks that are nigh indestructable, letting you tour behind them into infinity. I'd say it was time well spent.




Big Man Down: Clarence Clemons RIP


A sad day on the Backstreets, as Clarence Clemons has died:
Clarence Clemons, the saxophonist in Bruce Springsteen’s E Street Band, whose jovial onstage manner, soul-rooted style and brotherly relationship with Mr. Springsteen made him one of rock’s most beloved sidemen, died on Saturday at a hospital in Palm Beach, Fla. He was 69.

The cause was complications of a stroke he suffered last Sunday at his home in Singer Island, Fla., a spokeswoman for Mr. Springsteen said.

In a statement released Saturday night, Mr. Springsteen called Mr. Clemons “my great friend, my partner.”

“With Clarence at my side, my band and I were able to tell a story far deeper than those simply contained in our music,” he added. “His life, his memory and his love will live on in that story and in our band.”

From the beginnings of the E Street Band in 1972, Mr. Clemons played a central part in Mr. Springsteen’s music, complementing the group’s electric guitar and driving rhythms in songs like “Born to Run” and “Tenth Avenue Freeze-Out” with muscular, melodic saxophone hooks that echoed doo-wop, soul and early rock ’n’ roll.

But equally important to the group’s image was the sense of affection and unbreakable camaraderie between Mr. Springsteen and his sax man. Few E Street Band shows were complete without a shaggy-dog story about the stormy night the two men met at a bar in Asbury Park, N.J., or a long bear hug between them at the end of the night.

In addition to his musical endeavors, Clemons also played college football, tried out for the Dallas Cowboys and Cleveland Browns, worked as a youth counselor, and beat Fidel Castro in a game of pool. In other words, he really lived, something that will no doubt be brought up at his funeral.

Other members of the E Street Band - I'm thinking especially of Roy Bittan and Little Steven - may have had a bigger influence on the Springsteen sound, but no one else had the same charisma and personality as Clemons. And that's not to cut down on his musical chops. If you put together a list of classic rock & roll sax solos, I'll bet he would have played at least half of them. His work on the Born To Run album alone should be enough to ensure his musical immortality. I honestly don't see how he can be replaced, or even if there was anyone you could find who would be willing to take his place.

Democracy




Can't say I was paying attention to what Killing Joke was doing in 1996 (they'd peaked a decade earlier), but this is a pretty good tune.



Red Face(d)book


Kids today. Here's what Mark Zuckerberg had to say when asked how Facebook's plans to expand into China would affect the company's open communication platform:
"I don't want Facebook to be an American company," he said. "I don't want it to be this company that just spreads American values all across the world. ...For example, we have this notion of free speech that we really love and support at Facebook, and that's one of the main things that we're trying to push with openness. But different countries have their different standards around that. ...My view on this is that you want to be really culturally sensitive and understand the way that people actually think."
Nice to know that this is the sort of deep thinking that billionaire Obama supporters are coming up with. Free speech, you see, is this quaint "notion" (like American Exceptionalism, probably) that shouldn't have any effect on Facebook's business, even though it's the most important factor in its success. If people at Facebook sit around wondering why they've had so much trouble building trust, they may want to reconsider their blithe attitudes about basic values like privacy and free speech.

Only Discharge can clear this up:

Bob Dylan Turns 70


Hey, Baby Boomers, feeling old yet? The original Voice of a Generation turns 70 today. I don't sit around waxing nostalgic for a Sixties I never experienced, but I do regret that I missed an era when the pop charts were ruled, at least temporarily, by a young guy who could barely sing and wrote songs of undeniable poetry. And, unlike virtually all of his peers, he produced vital music in every decade of his professional life, including this odd self-portrait from a few years back (try to imagine Louis Armstrong singing this tune)


I saw Dylan at a hockey arena back in 2003 when he was touring behind Love and Theft. He came out dressed as a Kentucky colonel, played many (not all!) of his hits, and was backed by a crack band of pros. But, it was those songs where he accompanied himself with his guitar and harmonica that were the most memorable moments. It's no wonder that there are still a lot of people who regret his turning away from folk music. He really is a master of that simplest of musical forms, even if his muse was much more complex.

The Free Will Dylan Top 12

1. the Freewheelin' Bob Dylan: where "it all began." "Don't Think Twice, It's All Right" is haunting
2. Another Side of Bob Dylan: Dylan's poetry begins to flower.
3. Highway 61 Revisited: an out-of-control rock masterpiece with beautifully rustic melodies
4. Blonde On Blonde: Dylan said this came closest to the folk rock sound he was after. Regret getting rid of my LP because it sounded warmer than the CD (although the re-masters were an improvement)
5. John Wesley Harding: pure simplicity. the lyrics are the true beginning of Dylanology
6. The Basement Tapes: great fun.
7. Blood On The Tracks: Dylan at the height of his powers. people who think Dylan is a terrible singer need to listen to this.
8. Desire: Simultaneously contains one of his best songs ("Hurricane") and one of his worst ("Joey").
9. Slow Train Coming: his first "Christian" album was produced by Mark Knopfler and is very well recorded. Most of the songs from this unfairly maligned record have gone on to be gospel standards.
10. Infidels: a fascinating line-up: Sly & Robbie on rhythm and Mark Knopfler and Mick Taylor on guitars. Widely seen at the time as being "Reaganesque" believe it or not.
11. Time Out of Mind: murky ambient Dylan. Started a decade-long career revival
12. Love and Theft: very underrated concept album about the Deep South.



Silla Electrica



A good band from Madrid with Bay Area connections, believe it or not. Supposedly their sound is a revival of the "classic" early Eighties "Madrid Sound," which I am sure you are all familiar with. Two guitars, no bass, and a girl drummer who sings. Plus, they release records the old school way: their LP is one of those 180 gram jobs on clear vinyl in an edition of 500.

Punk may be mainstream, but, miraculously, the underground lives.

Light Out: The Punk Years



Classic Angry Samoans from the remarkably durable (and still funny) Back From Samoa.

Lights Out: Heavy Metal Edition



Shenker-tastic shredding in the Seventies.



Free Will Juke Box


What I've been listening to the last couple weeks:

12XU - high energy French punk band from Lyons. Don't know if they have any recordings beyond a couple 7"s, but you can find a ton of live stuff on YouTube. (you might also want to check out Daitro, which shares some members with 12XU, but plays in a style that's slower and yellier).

Beck - Sea Change. can't say this has held up as well as I would have liked. The production is brilliant, but the lyrics - Beck had just broken up with his girlfriend, aw - are self indulgent.

Jeff Beck - "A Day In The Life." It's a measure of Beck's guitar virtuosity that he can do a powerful instrumental cover of a Beatles song that most full sized bands would consider uncoverable.

Belle & Sebastian - The Boy With The Arab Strap. speaking of not holding up well...

The Damned - Machine Gun Etiquette. One of the great punk albums - filled with humor, and energy, with a dark Gothic touch. Influenced the sound and style of the DC and LA hardcore scenes, which means most of American punk owes a massive debt to these guys.

The Divorced - Separation Anxiety. revved up garage-psyche from Down Under. The Australians have long been masters of this genre.

Garbage - Garbage. gettin' my Nineties nostalgia on.

Little Feat - Sailin' Shoes. The Seventies were a golden age for slide guitar, and Lowell George was one of the craftiest practitioners of that odd art. His early death is one of the sadder "what could have been" stories.

UV Race - Homo. loose charming post-punk with a pop edge. Some of this flirts with atonality even as the songs remain hummable. "Nazicistic" is a great title for a song. Hard to know if they are kidding or not.

Veuve SS - some kind of French noise band with a lot of punk energy and a touch of metal in the guitars. Dark and abrasive dirges that that spring to life with occasional bursts of aggression. Best song title: "Ironique Movstache." (h/t Terminal Escape)

Voivod - Outer Limits. I slept on this album when it came out because (1) its predecessor Angel Rat was awful and (2) it featured one of the worst album covers of all time. But, it's actually pretty good as Piggy's guitars are pushed back to the fore front, and the songs are full of surprises. Still, this is an album by a band that had passed its peak.

M. Ward - Transistor Radio. a subtle masterpiece. Very simple roots-rock tunes (from a distant past that never existed) that stick with you.

M. Ward - Post War. More folk-rocky than folky with a ton of great guitar playing. "Chinese Translation" has a wonderful circular structure and benefited from a brilliant video. (note to neo-cons: the title was apparently meant to be some sort of profound anti-Iraq War statement, but there's nothing on the album that puts you into an anti-Bush frame of mind).

Frank Zappa - Sheik Yerbouti. It's too long, and features too much of Zappa's "famed" scatalogical humor, but there's still a lot here to like. Unlike a lot of his Sixties peers, Z stayed current and this record finds him bringing a lot of punk and new wave into his sound, which energizes and simplifies his compositions, even as they still go through his patented time signature changes. Zappa also trades solos with a then-unknown Adrian Belew on a couple tunes.

ZZ Top - Eliminator. The greatest ever Eighties-era "sell out" by a classic rock band. What's funny is, for all the complaining you hear about the synthesizers, this is probably the album where Billy Gibbons got to really stretch out. Some of his solos seem to go on forever.

ZZ Top + Jeff Beck + La Grange


Spectacular footage from some Spanish blues festival: ZZ Top and Jeff Beck jamming on La Grange.


Note how Beck manages to make his guitar sound like a harmonica. Reminds me of the time I saw Buddy Guy at the Fillmore and Carlos Santana popped out to solo during the encore.

UPDATE: sorry, it's an Italian blues festival. Not sure why the Euro-weenies get to have so much fun.



Best Retirement Invesments Auto Search