Showing posts with label music. Show all posts
The Big Sleep: REM Breaks Up
Sowell's Law: Using Politics To Predict Your Preferences
Jail Guitar Doors: The Feds Raid The Gibson Factory
Federal agents swooped in on Gibson Guitar Wednesday, raiding factories and offices in Memphis and Nashville, seizing several pallets of wood, electronic files and guitars. The Feds are keeping mum, but in a statement yesterday Gibson's chairman and CEO, Henry Juszkiewicz, defended his company's manufacturing policies, accusing the Justice Department of bullying the company. "The wood the government seized Wednesday is from a Forest Stewardship Council certified supplier," he said, suggesting the Feds are using the aggressive enforcement of overly broad laws to make the company cry uncle.
It isn't the first time that agents of the Fish and Wildlife Service have come knocking at the storied maker of such iconic instruments as the Les Paul electric guitar, the J-160E acoustic-electric John Lennon played, and essential jazz-boxes such as Charlie Christian's ES-150. In 2009 the Feds seized several guitars and pallets of wood from a Gibson factory, and both sides have been wrangling over the goods in a case with the delightful name "United States of America v. Ebony Wood in Various Forms."
The question in the first raid seemed to be whether Gibson had been buying illegally harvested hardwoods from protected forests, such as the Madagascar ebony that makes for such lovely fretboards. And if Gibson did knowingly import illegally harvested ebony from Madagascar, that wouldn't be a negligible offense. Peter Lowry, ebony and rosewood expert at the Missouri Botanical Garden, calls the Madagascar wood trade the "equivalent of Africa's blood diamonds." But with the new raid, the government seems to be questioning whether some wood sourced from India met every regulatory jot and tittle.
DOA
Crocodile Skink Wargame
Be honest, don't you at least want to hear what a band called "Crocodile Skink Wargame" sounds like?
Flirtin' With Disaster
There are few groups in history that have as immediately recognizable a musical sound as one finds in the music of Molly Hatchet, as while most other bands were content with one or two guitarists, "The Hatchet" preferred a triple-guitar assault. The team of Dave Hlubek, Steve Holland, and Duane Rolland establish a far more imposing, yet not overly aggressive sound on "Flirtin' With Disaster," and it is this unique contrast in sound that largely defines the bands' sound. It also enables Molly Hatchet to produce some of the most amazing solos and guitar progressions ever recorded, and yet at the same time, "Flirtin' With Disaster" is as straightforward a rock song as one can find anywhere. The guitars have the ideal amount of "twang" that stays true to their Southern roots, and yet it is the edge and slight aggression they bring that sets the band far apart from any other group using the term "Southern rock." Bassist Banner Thomas is equally impressive, as it is his playing that gives "Flirtin' With Disaster" its amazing amount of movement, as he gives the song a swing and a sway that make it impossible not to groove along with the music. This is complimented by drummer Bruce Crump, and his steady, slightly speedy pace serves as the ideal finishing touches to one of the finest musical arrangements in all of music history. The band deploys amazing periods of tension and release, and it is these "waves" of music that vault "Flirtin' With Disaster" to such an iconic status.
A Busy Saturday
What has me worried is the idea that the Democrats ACTUALLY DON’T UNDERSTAND THIS IS THE END OF THE ROAD. What if they actually aren’t capable of recognizing when they’ve lost? Or when we’ve run out of other people’s money? None of these people work for a living. Their concept of where money comes from and how wealth is created (and destroyed) is completely divorced from reality because they live in a government bubble. And the very small minority among them that do understand this from previous jobs and experience are okay with Progressive policies aimed at leveling/equalizing/delivering-economic-justice because they just assume that the economy can handle some siphoning. And usually it can. But not at this volume or for this time scale.
At this point, we hear about "erratic" behavior that doesn't ostensibly involve sex. What exactly are the "new questions"? This is a cheap and ridiculous article in my view. A woman who is unhappy with her sexual relationship with Wu has called his office but has not called the police, and now we're supposed to review everything else we know about him in some new context? Is this the way we are to do politics in America now?
Note that the woman who has brought this chaos into Wu's career is shielded by the newspaper's policy not to "use the names of victims of sexual assault without their permission." That's convenient. I think if you are going to have a policy like that, you should not report at all unless the alleged victim has reported a crime to the police. It's not fair.
At least 32 people died when a high-speed train smashed into a stalled train in China's eastern Zhejiang province Saturday, state media said, raising new questions about the safety of the fast-growing rail network.
The accident occurred on a bridge near the city of Wenzhou after the first train lost power due to a lightning strike and a bullet train following behind crashed into it, state television said.
The total power failure rendered useless an electronic safety system designed to warn following trains of stalled trains on the tracks up ahead, and automatically halt them before a collision can occur, the report added.
It showed one or possibly two carriages on the ground under the bridge, with another hanging above it. Several other carriages derailed in the accident near Wenzhou, some 860 miles south of Beijing.
More than 200 people have been taken to hospital, the official Xinhua news agency added.
One train was heading from Beijing to the coastal city of Fuzhou, the other was running from Zhejiang provincial capital Hangzhou, also to Fuzhou.
"The train suddenly shook violently, casting luggage all around," Xinhua quoted survivor Liu Hongtao as saying.
"Passengers cried for help but no crew responded."
Yesterday & Today: The LP Comes Back (Again)
Much has been made of the decline of recorded music, and indeed, much has declined. According to Nielsen SoundScan, total album sales dipped from 373.9 million to 326.2 million last year, a drop of 12.7%. The 2010 sum is less than half the 2004 total of 666.7 million. But vinyl sales rose a healthy 14% — the third straight year of gains for the format — and this year’s 2.8 million total was the highest in the post-1991 SoundScan era.
“Vinyl will always be there,” says David Shebiro, owner of Rebel Rebel Records in Manhattan’s West Village. “It’s the way artists intend music to be.”
Shebiro has sold both LPs and CDs since opening the store in 1988. In the early days, LPs made up 90% of his sales. By 1998, the ratio had flipped, with CDs accounting for 90%. Today, he reckons, 60% of his sales are of the vinyl variety. He believes the main reason behind vinyl’s comeback is a desire to re-conjure the magic of buying music lost in the era of immediate gratification offered by Apple and Amazon.
“There used to be this anticipation when you bought a record,” he says. “You’d take it back with you on the subway and rip open the packaging, and you couldn’t wait to get home and play it. That magic of anticipation has gone with downloading, and that’s what people want to regain.”
Moving Day
Big Man Down: Clarence Clemons RIP
Clarence Clemons, the saxophonist in Bruce Springsteen’s E Street Band, whose jovial onstage manner, soul-rooted style and brotherly relationship with Mr. Springsteen made him one of rock’s most beloved sidemen, died on Saturday at a hospital in Palm Beach, Fla. He was 69.The cause was complications of a stroke he suffered last Sunday at his home in Singer Island, Fla., a spokeswoman for Mr. Springsteen said.
In a statement released Saturday night, Mr. Springsteen called Mr. Clemons “my great friend, my partner.”
“With Clarence at my side, my band and I were able to tell a story far deeper than those simply contained in our music,” he added. “His life, his memory and his love will live on in that story and in our band.”
From the beginnings of the E Street Band in 1972, Mr. Clemons played a central part in Mr. Springsteen’s music, complementing the group’s electric guitar and driving rhythms in songs like “Born to Run” and “Tenth Avenue Freeze-Out” with muscular, melodic saxophone hooks that echoed doo-wop, soul and early rock ’n’ roll.
But equally important to the group’s image was the sense of affection and unbreakable camaraderie between Mr. Springsteen and his sax man. Few E Street Band shows were complete without a shaggy-dog story about the stormy night the two men met at a bar in Asbury Park, N.J., or a long bear hug between them at the end of the night.
Democracy
Red Face(d)book
"I don't want Facebook to be an American company," he said. "I don't want it to be this company that just spreads American values all across the world. ...For example, we have this notion of free speech that we really love and support at Facebook, and that's one of the main things that we're trying to push with openness. But different countries have their different standards around that. ...My view on this is that you want to be really culturally sensitive and understand the way that people actually think."
Bob Dylan Turns 70
Silla Electrica
Light Out: The Punk Years
Free Will Juke Box
ZZ Top + Jeff Beck + La Grange
